
FXPHD – C4D202 + C4D203 – Cinema4D and After Effects in Production I + II
938 MB + 863 MB | work files incl
13 Nov 11 FXPHD – C4D202 + C4D203 – Cinema4D and After Effects in Production I + II
12 Nov 11 FxPhd – AFX213 – After Effects Broadcast Design with Red Giant – Jan 2011

FxPhd – AFX213 – After Effects Broadcast Design with Red Giant – Jan 2011
English | AVC1 1152×720 | AAC 64 Kbps |Work files incl
1.72 GB
Genre: eLearning
We’re excited to have a new After Effects course lead by a familiar name in the motion graphics industry, designer Harry Frank. This practical, software-based course will focus on creating a professional broadcast graphics package from scratch. Harry has done numerous high-profile national broadcast packages over the year for networks such as NBC, ABC, Fox, and G4TV. One of the strengths of After Effects is its plug in architecture and offerings such as Trapcode Particular, Form, and Lux are workhorses of mograph artists. Over the ten weeks, After Effects will be at the center of the course in conjunction with these and other plug ins from Red Giant Software.
Classes:
more…
30 Oct 11 FXPHD – BKD204 – Background Fundamentals

FXPHD – BKD204 – Background Fundamentals
work files incl | 4.33 GB
We wanted to lay out the game ahead in more detail than we ever have before – since people have asked for a tad more of an idea of the direction and focus of the future Background Fundaments. Based upon feedback from students, this new term and the following term’s Background Fundamentals will concentrate on the visual effects knowledge and tasks that artists run into on a daily basis – focused on method and theory not individual applications. more…
22 Oct 11 fxphd – RED101 – Introduction to RED Workflow

fxphd – RED101 – Introduction to RED Workflow
Proj files incl | 2.07 GB
This course is designed to give you everything you need to know to post a RED project. This course will not be on camera operation other than how it affects on set monitoring and workflow. The course will build from the basics of RED to the more advanced scripting and also cover briefly the new Scarlet camera and how it will fit into the Red landscape. All modules such as RedCine and Red Alert will be completely revised from previous courses, to accommodate the latest releases of that software. By Professor Mike Seymour.
Classes: more…
05 Oct 11 Fxphd – MRY201 – Production Rendering Techniques with Mental Ray

Fxphd – MRY201 – Production Rendering Techniques with Mental Ray
English | AVC1 1152×720 | AAC 64 Kbps | 2.05 GB
Genre: eLearning
This course will teach techniques and concepts for rendering realistic, physically based CG elements in a visual effects context (i.e. for integration into live action shots). As it is a hands-on course in using Mental Ray to do these things, it will start with a fundamental treatment of everything from light and pixels through to cameras, response curves and compositing, as well as “learning to see”. The course will be performed using the 3ds Max application, but most things apply to Maya and Softimage as well. more…
29 Sep 11 FXPHD – FCP213: Techniques and Creative Editing

FXPHD – FCP213: Techniques and Creative Editing~ 10×30 min | Video: AVC (.mov) x264 229kbs 1152*720 | Audio: AAC 64kbs 2ch
Genre: eLearning | Language: English
767 mB | project files incl
Taught by Enzo Tedeschi FCP213 will take you through some of the basics and some of the intricacies of Final Cut Pro. As with any other post-production tool true value comes from its proper use within a well-designed workflow. So in addition to a bit of “what does this button do” Enzo will more importantly be talking about Final Cut Pro’s place within the larger context of a production as well as more creative editing techniques for storytelling. While this course will slightly touch on items covered in our other FCP offerings with a new prof comes new and interesting perspectives. Tedeschi is an Editor whose ten-year body of work covers drama documentary television series and commercials.
CONTENTS: more…
26 Sep 11 Fxphd – Mya 206 -Maya Animation & Compositing

Fxphd – Mya 206 -Maya Animation & Compositing : Red Dwarf
project files | .mov | 2.37 Gb
Long time fxphd professor Matt Leonard dives into production with his new course covering work he did for Red Dwarf: Back to Earth. Leonard is our leadMaya professor, but he is also an adept compositor who uses tools such as Nuke and Fusion. For this course, he’ll be walking through the entire productionprocess of his work on the show — from pre-production to on-set to the final composite. more…
24 Sep 11 FXPhd – MTH101 – Mathematics For Visual Effects & Design

FXPhd – MTH101 – Mathematics For Visual Effects & Design
10xDVDRip | AVI / XviD, 793 kb/s | 960×540 | ~10×30 min |
English: AAC, 48 kb/s (2 ch) | 2.34 GB
This course aims to provide a basis for Maths for the Artist that says “If I’d known Maths would have been central to effects and animation I would have paid attention in school!” Mike Seymour works through the major areas of maths that are useful to understand for visual effects and animation. This really is a maths course, teaching you both actual maths and the principles of areas of maths in more advanced areas. The aim is to equip you with the tools you need and to demystify the jargon – so you can understand the principles and approaches we use maths for everyday in production and post.
Course Lecture Titles: more…




